We worked with Sky to retouch and grade the unit photography for The Tattooist of Auschwitz, ensuring the stills carried the same cinematic tone and emotional depth as the series.
Our role involved sensitive grading to capture the harrowing atmosphere, alongside technical retouching to refine details, remove green screens, and composite landscapes for set accuracy. The result was a collection of images that felt authentic to the story while aligning seamlessly with the production’s visual style.
Retouching | Grading | Compositing | Post production
